One of the not so hidden treats of Star Trek Discovery is the opening titles, which have subtly changed as the show has progressed, Indiewire caught up with designer Ana Ciado to discuss how that has developed. First off she discussed the decision to use sepia tones.

 “At the beginning, we started to work with black and white. But the black and white by itself looks very cold,” Criado said. “We are relating to the Renaissance. I wanted to make it look like we are designing everything from scratch. I wanted the white, sepia color in the background. I didn’t want to put too much color, but I didn’t want to leave it just black or grey.”

 And the addition of the captains chair in season two.

“It was one of the most important pieces that they wanted to show. It was iconic for the fans, because it’s related to a new captain,” Criado said. “We needed to take into account which pieces we were removing and gonna be replaced. We tried different representations, but the one that we chose — with the balance of the transparent, X-ray parts of the chair and the solid parts — they fit together perfectly. We did put some easter eggs for the fans in that part, if they want to look closely.” 

And those gorgeous Delta shields.

“For me, that specific moment was the most difficult one to fit in the sequence. That image is very crowded, because you have the room and the three symbols. We decided to not make them appear at the same time, which would make it more distracting,” Criado said. “I think it finally worked, but it was a bit of a nightmare for us to try to fit them perfectly and not make it distracting. It still shows the three badges, which was the most important thing for us.”

Craido and her team are also working on the opening titles for Star Trek: Picard, so that is certanly something to look forward to.


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